Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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Crímenes. El musical
En la prensa de la España del XIX, los crímenes fueron un hit. Les gustaban tanto como hoy nos gusta el True Crime. A la vez fue asentándose la ciencia forense. En esta serie relatamos algunos de los crímenes más famosos de entonces, con mucha música y algunos coros. Y entrevistamos a una criminóloga y a científicos forenses de varias disciplinas: medicina, psicología, antropología, lingüística, biología...Suscríbete a nuestra newsletter y déjanos una propinilla aquí
Medical Ethics
Melvyn Bragg examines the technological advances and ethics of modern medicine. On an average working day about three quarters of a million of us go to the doctors. About a hundred thousand are visited by nurses and other health professionals. Then there are the three hundred thousand that go to the dentist. Health is a central preoccupation. It is also big business, saving life, lengthening life and even promising a stab at eternal life. Yet while some technology is Space Age, the morality is often not far away from the Stone Age. Who decides who lives or dies? Insurance firms, for instance, want genetic information - should they have it? Stem cell research - hailed by many as an extraordinary advance - now runs into conflict with those who do not want the human embryo to be, as they see it, abused. In the 16th century Francis Bacon told us in his Advancement of Learning Medicine is a science which hath been more professed than laboured, and yet more laboured than advanced: the labour having been, in my judgement, rather in a circle than in a progression. Well, after a century that has brought us penicillin, the discovery of DNA, heart transplants and key-hole surgery, have we finally escaped the loop? Or does our ethical application of what we can technologically achieve mean we are marching in Bacons circle still? With Barry Jackson, consultant surgeon and President of the Royal College of Surgeons of England; Professor Sheila McLean, Director of the Institute of Law and Ethics in Medicine, Glasgow University.
Childhood
Melvyn Bragg and guests discuss childhood. The 20th Century was proclaimed the Century of the Child. It has been much else but in the western world the position, the possibilities, the meaning and the story of childhood have been changed, for many, monumentally. Children join the workforce much later, they are born into smaller, usually more affluent families than a hundred years ago, they tend to spend their parents’ money rather than contributing to the family coffers, they are handed over to the school for what used to be called the best years of their lives. Children have been involved in a spectacular journey in the last hundred years. St Paul wrote to the Corinthians: “When I was a child, I spake as a child, I understood as a child, I thought as a child: But when I became a man, I put away childish things”. But is it really as simple as that, can one always make such a clear distinction between childhood and being an adult, and is such a division even desirable?For most of this century - in the Western World - childhood has been another country with different laws and separate truths, it is something we either feel we missed or somewhere to which we long to return. Has it always been such a cherished state and do our endless machinations to keep childhood special actually help the individual? With Christina Hardyment, social historian and author of The Future of the Family; Dr Theodore Zeldin, Senior Fellow, St Anthony’s College, Oxford and author of An Intimate History of Humanity.
Tragedy
Melvyn Bragg and guests discuss the history of the ancient genre of tragedy and examines whether we have a psychological need for it, either as catharsis or Schadenfreude. You could be forgiven for thinking that in our century, of all centuries, the notion of the death of a tragedy would be comical. But there is a view that in its broad theatrical sense, tragedy, as defined by Aristotle and accepted to the time of Racine, has indeed lost its place and power as a form. Aristotle in his poetics held that tragedy figured men and women, often greater than ourselves, heroic, whose fall excited sensations of pity and fear which purged the emotions in the spectator, provoking a catharsis. And Chaucer defined it as a story “of hym that stood in greet prosperitee/And is yfallen from heigh degree/Into myserie, and endeth wretchedly”. Tragedy has been redefined many times and in many ages, but does it have a place in our own time? Or is the genre “dead for a ducat”. Not in life - the twentieth century is a monument to tragedy - but in art.With Professor George Steiner, critic, Extraordinary Fellow, Churchill College, Cambridge and author of The Death of Tragedy; Professor Catherine Belsey, Chair of the Centre for Critical and Cultural Theory, University of Cardiff and author of The Subject of Tragedy.
Consciousness
Melvyn Bragg and guests discuss the problems of consciousness, one of the greatest mysteries facing science and philosophy today. The frustrations, the stubborn facts and the curiosities of today’s thinkers, philosophers, physicists and psychologists, demonstrate the elusiveness, and the utter impenetrability of consciousness. Can we explain our perception of colour, smell or what it is like to be in love in purely physical terms? Can memory, conviction and reason be explained primarily in terms of neural firing sequences in the brain? Three centuries ago Descartes famously believed that the problem was best solved by being ignored. Was he right? Could it be that the human mind is just not built to understand its own basis?With Ted Honderich, philosopher and former Grote Professor of the Philosophy of Mind and Logic, University College, London; Sir Roger Penrose eminent physicist, mathematician and author of The Large, The Small, and the Human Mind.
Progress
Melvyn Bragg and guests discuss progress. As man has grown in years and knowledge, has he also progressed in terms of happiness and a true understanding of the human condition? It was the Enlightenment which gave birth to the idea of the possibility of progress. The biblical account of time which had held sway until the eighteenth century was replaced by a conceit which put Man, not God, at the centre of the story of progress. But do we still believe in that story? Have we reached the end of history and the culmination of man’s evolution? Was the Argentinean writer Jorge Louis Borges right when he said “We have stopped believing in progress. What progress that is!”. Can our moral progress keep up with our material progress, be sober in a technologically inebriated world, be in any way more than a fig leaf covering the untameable old Adam whose tragedy - more Greek than Christian - has made and marred this century? Is there such a thing at all as moral progress, or have Darwin and Freud between them cut it out of the conceit of homo sapiens? With Anthony O’Hear, Professor of Philosophy, University of Bradford; Adam Phillips, psychoanalyst and author of Darwin’s Worms.
The Novel
Melvyn Bragg and guests discuss the development and the future of the novel. D.H. Lawrence was proud of his job, he said: “I am a man, and alive…for this reason I am a novelist. And being a novelist, I consider myself superior to the saint, the scientist, the philosopher, and the poet, who are all great masters of different bits of man alive, but never get the whole hog”. Fiction pours from the presses and in number of titles, this must be the most prolific of novel-producing ages. But are they as good as in the golden age, or the silver, or the bronze, or the steam age? And do they signify? Is technology marginalising the novel or is it still the greatest way of telling a story?Despite many premature declarations of its demise, (stretching back almost to the date of its birth), the novel has been ‘getting the whole hog’ for hundreds of years. But what makes a novel different from other literature, and can we expect it to be still around, ‘getting the whole hog’ into the next century? With D J Taylor, novelist, critic, biographer of Thackeray and author of After the War; Gillian Beer, King Edward VII Professor of English Literature, Cambridge University and Chairman of the Booker Prize judges 1997.
Education
Melvyn Bragg and guests discuss the history and the modern purpose of education. Nobody - would argue with the fact that education is of central importance to the people we are. And there seems to be no doubt at all that fine skills, flexible life-long learning and cultivated intelligence are the keys to all our futures. So how do we tackle what was until recently - just two hundred years ago - a unique preserve of the few, the privileged or the plucked out exceptions? Plato made his priorities in education plain when he inscribed over the entrance to the Academy “Let no one ignorant of mathematics enter here”. He prized learning that revealed what he called “eternal reality, the realm unaffected by the vicissitudes of change and decay”, and this became the objective of education in Europe for thousands of years - vocational education, concrete skills, was hardly dreamed of. But was he right? What is education for: is its role to teach us the nature of reality, or to give us the tools to deal with it?With Mary Warnock, philosopher and educationalist; Ted Wragg, Professor of Education, University of Exeter.
Atrocity in the 20th Century
Melvyn Bragg and guests discuss the widespread and chilling atrocities of the 20th century. Just over a hundred years ago, in the ‘Genealogy of Morals’, Nietzsche wrote “there can be no doubt that morality will gradually perish: this is the great spectacle in a hundred acts reserved for the next two centuries in Europe”. What if he is right? Certainly the twentieth century can claim the bitter palm of being the century with the biggest body count, the most advanced savagery, the finest of death delivery systems and, in that sense, the true Dark Ages of humankind. For inhumanity there has never been a century like it in the history of man: 58 million people died in the slaughter of two world wars. Stalinist Russia killed 20 million of its own people. The Nazis killed 6 million Jews. 2 million people were killed in Vietnam, 3 million in Korea, and in 1994 in Rwanda 1 million ordinary people were suddenly turned on and killed by their neighbours. And all the while in this bloody century the private and individual murder of one human by another has risen inexorably.What are the conditions that allow man to be inhuman to man on such a scale? And can a scientific study of the mind ever uncover the routes of inhumanity or evil?With Jonathan Glover, philosopher and Director of the Centre of Medical Law and Ethics, King’s College, London; Dr Gwen Adshead, consultant psychiatrist, Broadmoor Special Hospital.
The Individual
Melvyn Bragg and guests discuss the history of the concept of the individual. The Renaissance gave birth to the concept of the individual. Shakespeare defined this individual in language which accepted the primacy of the male gender: “What a piece of work is a man! How noble in reason! How infinite in faculty! In form, in moving, how express and admirable! In action how like an angel! In apprehension how like a God!” According to Michel Foucault, French philosopher, polar opposite of Shakespeare and backed as he thought by Marx and Freud, our century killed the individual off. But has it? Was the individual born a mere six hundred years ago and has the century tolled its bell? And what is the individual?With Richard Wollheim, Professor of Philosophy, University of California in Berkeley; Jonathan Dollimore, Professor of English, York University.
The Nation State
Melvyn Bragg and guests discuss the Nation State. When we speak of our island story which island do we mean? When did England elide with Britain and why does it sit uneasily alongside the United Kingdom? At the end of the 20th century, the identity of one of the most forceful countries of the millennium is subject to scrutiny, doubt and criticism. What is England now? When did it act as England and not Britain, or the UK, or the British Isles? And how does its new role fit in with the idea of the Nation State which has dominated the internal and, more dramatically, the external behaviour of many powerful countries over the last few centuries? Yet despite its mighty past the Nation State itself can now seem powerless against the forces of globalisation. With Norman Davies, Emeritus Professor, London University and author of The Isles: A History; Andrew Marr, former editor of The Independent and author of Ruling Britannia: the Failure and Future of British Democracy.
Utopia
Melvyn Bragg and guests discuss the concept of Utopia. Both the idea of, and the longing for a perfect society have been in our imagination for centuries, even millennia. Utopian dreams have driven fantasy, Fascism and fine feeling.Utopias, by definition, do not exist. The literal meaning of the Greek is “nowhere”. And yet, we are still enthralled by its allure. Why do some of us still believe in it - after the devastation wreaked this century by the utopian ideals that gave rise to Fascism and Communism? And what do utopias in fiction tell about the present - and even future?With Dr Anthony Grayling, human rights campaigner, lecturer in philosophy at Birkbeck College, London and Fellow of St Anne’s College, Oxford; John Carey, distinguished critic, journalist, broadcaster, Merton Professor of English, Oxford University and editor of, The Faber Book of Utopias.
Maths and Storytelling
Melvyn Bragg and guests discuss the relationship between maths and storytelling. Is there a hidden mathematical logic in stories? The American mathematician John Allen Paulos thinks so. It’s an intriguing thought. Patterns, measurement, the logic of jokes, numerology from Leviticus to Alice in Wonderland, but does it really go to the square root of fiction? According to anthropologists, both have similar origins - in our prehistoric ancestors’ need to measure and assess the world around them. Both mathematics and stories need a shape and structure to make any sense. But does it go further than that? Is it possible to apply mathematical logic to literature or to reduce a joke to an algebraic equation? Or are literary imagination and scientific substance irreconcilable?With John Allen Paulos, Presidential Scholar of Mathematics, Temple University, Philadelphia and author of Once Upon a Number - The hidden mathematical logic of stories; Marina Warner, novelist, historian, critic, former Reith Lecturer and Visiting Professor at Birkbeck College, London.
Genetic Determinism
Melvyn Bragg and guests discuss the theory of Genetic Determinism. In the middle of the last century two men - Gregor Mendel, an Austrian monk, and Charles Darwin, an English naturalist, established the central theories of modern biology and changed the world forever. Darwin’s On the Origin of Species has been described as the book of the Millennium, “the only best-seller to change man’s conception of himself”. Through the rediscovery of Mendel’s work in the early decades of our century, evolutionary theory was transformed by the emergence of genetics as a science. Crick and Watson found DNA at Cambridge and announced that they had discovered the secret of life in a local pub, and the rest has been the most compulsive element in the intellectual history of the twentieth century. It seems as if almost every week we read about another gene which claims to determine our fate - whether it governs our intelligence, personality or sexual orientation. Many rail against what they see as “genetic determinism” - the idea that genes are the destiny we can do nothing about. Others willingly blame their anti-social behaviour on “criminal genes” - thus absolving themselves of any responsibility. Genetics may be all about inheritance but is inheritance all about the genes? With Steve Jones, Professor of Genetics, University College, London and author of Almost Like a Whale: The Origin of Species Updated; Matt Ridley, science journalist, chairman of the International Centre for Life and author of Genome: The autobiography of a species in 23 chapters.
Pain
Melvyn Bragg and guests discuss pain; something of which everyone has an individual experience. What causes it, how do we cope with it, what mechanisms are involved, what is the traditional view of pain and how is that being challenged today? Do we experience pain in the same way and how is emotional pain different from physical pain? What can our experience of pain tell us about ourselves and human consciousness? Is each individual human experience unique or are there experiences we can say apply across all of human consciousness? Is science a blunt instrument for examining subjective experience?With Patrick Wall, Professor of Physiology at St Thomas’ Hospital, London and author of Pain: The Science of Suffering; Semir Zeki, Professor of Neurobiology at University College, London.
Truth, Lies and Fiction
Melvyn Bragg and guests discuss truth, lies and fiction. In 1995 a book appeared which brought its author great acclaim from serious critics, won prizes, stunned its readers and was thought to add significantly and profoundly to the literature of the Holocaust. The book was called Fragments, its author, Binjamin Wilkomirski. But recently the veracity of the account told in Fragments has been questioned by Elena Lappin, the author of an investigative essay published in the literary magazine Granta. When it was exposed as a fiction - or should it be called a lie? - it triggered many arguments, one of which is that of the value of authenticity and the supremacy of originality in the culture of the late twentieth century. Does it really matter if literature isn’t entirely truthful? And is the idea of authenticity in writing a recent invention?With Elena Lappin, novelist and author of an investigative essay published in Granta called ‘Truth and Lies’, where she questions the veracity of the account of the Holocaust in the book Fragments by Binjamin Wilkomirski; Dr Nick Groom, lecturer in English, University of Exeter.