Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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Crímenes. El musical
En la prensa de la España del XIX, los crímenes fueron un hit. Les gustaban tanto como hoy nos gusta el True Crime. A la vez fue asentándose la ciencia forense. En esta serie relatamos algunos de los crímenes más famosos de entonces, con mucha música y algunos coros. Y entrevistamos a una criminóloga y a científicos forenses de varias disciplinas: medicina, psicología, antropología, lingüística, biología...Suscríbete a nuestra newsletter y déjanos una propinilla aquí
Hitler in History
Melvyn Bragg and guests discuss how history has struggled to explain the enormity of the crimes committed in Germany under Adolf Hitler: we have had theories of ‘totalitarianism’, and of ‘distorted modernity’, debates between ‘intentionalists’ and their opponents the ‘structuralists’. The great political philosopher Hannah Arendt said, “Under conditions of tyranny, it is far easier to act than to think”. But somehow none of these explanations has seemed quite enough to explain how a democratic country in the heart of modern Europe was mobilised to commit genocide, and to fight a bitter war to the end against the world’s most powerful nations.With Ian Kershaw, historian and biographer of Hitler; Niall Ferguson, fellow and tutor in Modern History at Jesus College Oxford; Mary Fulbrook, Professor of German History at University College London.
London
Melvyn Bragg and guests discuss the history of London. To T.S.Eliot it was the “Unreal City”, to Wordsworth “Earth has not anything to show more fair” but to Shelley, “Hell is a city much like London”. At the start of this twenty-first century the capital city covers an area of 625 square miles, is home to 7 million souls, and has an economy which at more than £115 billion is larger than that of Saudi Arabia, Ireland or Singapore. Is this modern metropolis still the place that the poets described? Can there be such a thing as a history of a city, which in each generation sucks in its communities from around the country and around the globe? In a city whose buildings have been razed, whose people have been decimated and whose borders have been dramatically redrawn, what is there that connects it to its own past?With Peter Ackroyd, author of London: The Biography; Claire Tomalin, author and biographer of Samuel Pepys; Iain Sinclair, poet, novelist and author of Liquid City and Lights Out for the Territory.
Imagination and Consciousness
Melvyn Bragg and guests discuss the question of consciousness, our sense of self, and how we are able to imagine things when they are not there, which are problems that have troubled the great minds of philosophy for thousands of years. Consciousness has been linked to language, has been married to the mind and divorced from the body; it has been denied to animals, opposed to the subconscious and declared irreducible, but still it defies definition, and the debate rages on as to why we evolved it at all. But perhaps science will finally provide the answer. With Professor Gerald Edelman, Director of the Neurosciences, Institute in California and winner of the Nobel Prize for Physiology or Medicine in 1972; Igor Aleksander is Professor of Neural Engineering Systems, Imperial College, London; Margaret Boden, Professor of Philosophy and Psychology, University of Sussex.
Biography
Melvyn Bragg and guests discuss biography which sells more books now than ever before; last year people in this country spent 115 million pounds on 12 and a half million copies of biographies. And it’s not just in Britain that life stories are popular; the United States Library of Congress found recently that in the previous six months more people had read a biography than any other kind of book. But what drives this fascination in the lives of others; lives which have often long since passed. Why do the literary studies of often long dead characters make such popular books? And what is the role of the biographer who provides that account? Truthful chronicler, or inevitably biased re-inventor?With Richard Holmes, writer, biographer and the author of Sidetracks:Explorations of a Romantic Biographer; Nigel Hamilton, biographer, Director of the British Institute of Biography and Professor of Biography, De Montfort University, Leicester; Amanda Foreman, biographer of Georgiana, Duchess of Devonshire.
Inspiration and Genius
Melvyn Bragg explores genius and inspiration. “When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him”. So said Jonathon Swift, many people’s choice for a genius himself. But what does that word really mean? Are geniuses born or made? And what are the circumstances necessary for the great leaps of consciousness that inspire the development of science and art? Did Einstein’s brain arrive like that - markedly different from the expected formation - or did it become like that through thought? If genius does not exist, why are we so keen to invent it? Was Mozart programmed or pre-programmed and was Newton or anyone else solely responsible for inventing anything?With Arthur I. Miller, Professor of History and Philosophy of Science, Department of Science & Technology, University College London; Michael Howe, Professor of Psychology, Exeter University; Dr Juliet Mitchell, psychoanalyst and lecturer at Cambridge University.
The Renaissance
Melvyn Bragg and guests discuss the Renaissance, which was first given its role as the birth place of modern man by the nineteenth century historian Jacob Burckhardt. At the start of his immensely influential Civilisation of the Renaissance in Italy, he wrote “In the Middle Ages both sides of human consciousness - that which was turned within as that which was turned without - lay dreaming or half awake beneath a common veil. The veil was woven of faith, illusion, childish prepossession, through which the world and history were seen clad in strange hues…In Italy this veil first melted into air” But is the Renaissance really a cultural miracle, and is it fair to think of medieval thought as being ‘obscured by a veil’? Should we even call the period around the fifteenth century the Renaissance when the very word implies that culture, for a thousand years, has been dead? What if our idea of the Renaissance is completely wrong? With Francis Ames-Lewis, Professor of History of Art, Birkbeck College; Peter Burke, Professor of Cultural History and Fellow of Emmanuel College, University of Cambridge; Dr Evelyn Welch, Reader in the History of Art, University of Sussex.
The American Ideal
Melvyn Bragg and guests discuss the American Ideal. The Twentieth Century has been called the American Century, and you don’t have to look very far to see the evidence of its enormous success. In 1919 President Woodrow Wilson said; “Sometimes people call me an idealist. Well that is the way I know I am an American. America is the only idealistic nation in the world”. America is the world’s popular culture and its centre of the expensive higher sciences and scholarship. Its riches would make Midas weep in disbelief. Its contradictions grind the molars of intellectuals, critics within without. But its imperial, seemingly unassailable fortress is swollen with many treasures and open to many weaknesses.What is the ideal that underwrites that idealism and how has it driven the phenomenal influence that the USA has gained culturally, economically and diplomatically across the globe? And was it ever ideal and is it ideal any longer?With Christopher Hitchens, writer, journalist and author of No One Left to Lie To: The Triangulations of William Jefferson Clinton; John Keane, Professor of Politics, University of Westminster and Director of the Centre for the Study of Democracy; Susan Sontag, cultural critics and essayists, and author of the novel In America.
Chemical Elements
Melvyn Bragg and guests discuss the chemical elements. The aim and challenge in chemistry, according to the Encyclopaedia Britannica, is the understanding of the complex materials which constitute everything in existence since the Big Bang, when the whole universe emerged out of the two elements of hydrogen and helium. For Aristotle there were four elements: Earth, Air, Fire and Water. Now there are one hundred and eight, sixteen of which are produced artificially, and none of which figure in Aristotle's original four. But they are all still elements - defined as substances which cannot be broken down, the building blocks of all life.Today we have the key to understanding these elements, the Periodic Table, which is a pattern embedded in nature and was miraculously discovered in a dream. With Paul Strathern, former lecturer in philosophy and science, Kingston University and author of Mendeleyev's Dream: The Quest for the Elements; Dr Mary Archer, Visiting Professor of Chemistry at Imperial College, London; John Murrell, Emeritus Professor of Chemistry, University of Sussex.
The Wars of the Roses
Melvyn Bragg and guests discuss the Wars of the Roses which have been the scene for many a historical skirmish over the ages: The period in the fifteenth century when the House of Lancaster and the House of York were continually at odds is described by Shakespeare, in the three parts of Henry VI and Richard III as a time of enormous moral, military and political turmoil - the quintessential civil war; but twentieth century historians like K.B. Macfarlane argued the political instability is wildly overstated and there were no Wars of the Roses at all. Opposing this position are the many Tudor historians who like to claim that the Wars of the Roses represent the final breakdown of the feudal system and lead directly to the Tudor Era and the birth of the modern age.With Dr Helen Castor, Fellow and Director of Studies in History, Sidney Sussex College, Cambridge; Professor Colin Richmond, Emeritus Professor of History, Keele University; Dr Steven Gunn is a Tudor historian and Fellow and Tutor in Modern History, Merton College, Oxford.
Shakespeare's Work
Melvyn Bragg and guests discuss the work of William Shakespeare. He was nominated as the Man of the last Millennium and he steps into this one - on film, on stage, in academia, in schools, in private passions, probably in song and dance as well - every bit as briskly as he did in 1600. He's been called our greatest living playwright. We are told he taught us how to be modern. That he is the true Bible of our times. We are also told that his work is irrelevant to a massive percentage of the population, sandbanked by critics, neutered by establishments and, above all, embalmed in a cargo of language increasingly out of reach and ken of those who might heave him up the next century. William Shakespeare 'was not of an age, but for all time' according to Ben Johnson. That was in the seventeenth century and it's a claim that has often been repeated since, but is it really true? Is what we see in theatre and increasingly at the cinema the work of a playwright whose works live on, or are we merely watching historical reconstructions - museum pieces - with any contemporary meaning obscured by the reverence we pay to the author? And if Shakespeare is for all time, what is it about him that makes him so eternally special?With Professor Sir Frank Kermode, literary critic and author of Shakespeare's Language; Michael Bogdanov, theatre, television, opera and film director and a founder member of the English Shakespeare Company; Germaine Greer, Professor of English and Comparative Studies, Warwick University.
Death
Melvyn Bragg and guests discuss Death, what the 16th century philosopher Frances Bacon called, ‘the least of all evils’. A subject which has provoked thousands of reflections which live on: How has the perception, dread or even desire for our own endings shaped the development of the culture of Europe and the West, from funeral rituals to Gothic novels, to the Aids fiction and fact of today. From the celebration of the passage of a soul to the grief of the loss of a body. And how have different eras addressed the essential existential problems that death presents us with?With Jonathan Dollimore, Professor of English, York University; Thomas Lynch, poet, essayist, funeral director and author of The Undertaking - Life Studies from the Dismal Trade; Marilyn Butler, Professor of English Literature and Rector of Exeter College, Oxford.
Human Origins
Melvyn Bragg and guests discuss the evolution of the human species. Where did we come from - we being Homo Sapiens? Let’s not go back to the Big Bang or in search of Genesis, but sift through the evidence from biology, palaeontology, climatology and anthropology.The story of human evolution is one that stretches back over five million years, and during that time there are reckoned to have been between fifteen and twenty species of hominid to have walked this planet. From the earliest (Genus) Australopithecus (Species) Anamensis through times when there have been several divergent pre-human species existing at once, we have now arrived at a period unique in the history of the earth when a sole human species, Homo Sapiens, is in evidence right across the globe.With Leslie Aiello, Professor of Biological Anthropology, University College, London; Robert Foley, evolutionary ecologist, writer and lecturer in biological anthropology at Cambridge University; Mark Roberts, Field Archaeologist, Project Leader of Boxgrove excavation and the discoverer of ‘Boxgrove Man’.
Englishness
Melvyn Bragg and guests discuss the characteristics of the English identity. “An Englishman’s word is his bond”, “An Englishman’s home is his castle”. “England is a nation of shopkeepers”, but also “the most exclusive club there is”. To Cecil Rhodes to be an Englishman was to have “won first prize in the lottery of life” but to Jonathan Swift the English were “the most pernicious race of odious vermin that nature ever suffered to crawl upon the surface of the earth”. Organised, effete, cruel, brave, inventive, determined …Who are the English? And when, how and in what heat was their English identity forged? Britain has now the highest percentage of inter-racial marriages in the world. Does that say as much about the English as their previously branded characteristics of gravity, sense of order, domesticity and propriety? What was Englishness and is it possible now to define it in anything more than the loosest and baggiest terms?With Paul Langford, Professor of Modern History, University of Oxford; Peter Mandler, Professor of Modern History at London Guildhall University; Professor Lola Young Director of the National Museum and Archives of Black History and Culture.
New Wars
Melvyn Bragg and guests discuss the history of modern warfare. In the early nineteenth century the Prussian General Karl von Clausewitz seemed to define war for all time when he called it “an act of violence intended to compel our opponent to fulfil our will” and “nothing but a continuation of politics with the admixture of other means”. But after the nuclear bomb, the Cold War and the brutal and perplexing recent wars in Africa and Eastern Europe does his definition still hold true? Or are we in a new era when the idea of a continuation of peacetime politics and the notion of a national will is increasingly irrelevant? Are the technologically billion dollar new wars, coupled with the wars on the ground which are more like crimes, revolutions or more organised violence than war, a way of following Clausewitz’s notion of war as a continuation of politics by other means or do they constitute something completely different?With Sir Michael Howard, Emeritus Professor of Modern History, Oxford University; Dr Mary Kaldor, Director of the Programme on Global Civil Society, London School of Economics; General Sir Michael Rose, former Commander of the United Nations Protection Force in Bosnia and author of Fighting for Peace: Lessons from Bosnia.
The Natural Order
Melvyn Bragg examines the science of taxonomy. The Argentinean author Jose Luis Borges illustrated the problematic nature of scientific classification when he quoted from an ancient Chinese Encyclopaedia, the Celestial Emporium of Benevolent Knowledge. On these remote pages, in a complete absence of Phylum, Genus and Species, animals are divided into: (a) those that belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) suckling pigs and those that tremble as if they were mad ending with those drawn with a very fine camel's hair brush, others, those that have just broken the flower vase and those that at a distance resemble flies.Perhaps our own system of classifying the natural world might seem just as fantastical to a more knowing mind, and perhaps underlying the Linnaean system that homo sapiens currently finds useful there are prejudices of our own which distort the scientific truth. How does natural history classify the natural order?With Colin Tudge, writer, scientist and author of The Variety of Life: A Survey and a Celebration of all the Creatures that Have Ever Lived; Dr Sandy Knapp, Research Botanist, Department of Botany, Natural History Museum, London; Henry Gee, Senior Editor of Nature and author of Deep Time: Cladistics, the Revolution in Evolution.