The weekly Resident Advisor Podcast featuring electronic music - https://ra.co
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Mesa de discusión sobre las noticias más relevantes del mundo de la farándula, análisis y crítica de estrenos cinematográficos, series, programas de televisión, música, teatro, moda, sexo y todo lo relacionado a la cultura pop, a través del humor negro, la sátira y el análisis que nos caracteriza. See acast.com/privacy for privacy and opt-out information.
CREATIVO CLIPS
Escucha los episodios completos del podcast Creativo en Youtube y Amazon Music. Amazon Music: https://amzn.to/creativo YouTube: https://youtube.com/robertomtztv
Revelación o Timo: el podcast de JENESAISPOP
Sebas E. Alonso y Claudio M. de Prado analizan la actualidad musical.
RA.951 KRN
Ask Berlin's network of revered deep diggers who their favourite "DJ's DJ" is, and there's a strong chance you'll hear one name immediately pop up: KRN. Better known as Phil Kearney, KRN is one of those rare types who has built a reputation away from the limelight. Formerly a resident at The Ghost's Hoppetosse party as well as a devoted Get Perlonized regular (plus, for full disclosure, briefly an RA events reviewer in the mid-2010s), he's well-versed in both wiggle and waft. The hubbub around KRN can be put down to the fastidiousness of his approach: he unearths rare gems from the roots of the underground, before mixing it up with a deft hand. Kearney's RA Podcast, sweetly subtitled "Dadhouse," is an ode to wife and new newborn, as well as a window into his personal palette. He starts in serene IDM territory, before shifting into playful grooves and tactile house oddities. Good lucking ID'ing many of the tunes—we asked for a tracklist but, deep down, already knew the answer. We know this, too: one listen and you'll be hooked. @k_rn @theghost Read more at ra.co/podcast/951
EX.727 James Massiah
"The honesty of my music and poetry comes from church." The South London artist discusses his turn away from religion and his love of sound systems as the city celebrates 56 years of Notting Hill Carnival. The annual Caribbean street parade Notting Hill Carnival has taken place in London since 1966 to celebrate the influx of immigrants brought to the UK during Windrush. Carnival is a celebration of the rich and multifaceted artistic heritage that came with them, especially in the form of Afro-Caribbean music, dance and sound system culture. The South London-born poet, producer and NTS Radio host James Massiah is one of a generation of musicians who has been influenced by the city's Afro-Caribbean cultural legacy. In this interview, he talks to Errol Anderson of the South London-based curatorial platform Touching Bass about his connection to London's sound systems and his own artistic evolution. His output centres around hedonism and what he calls "joyful living"—a reaction to the church community he grew up in. Many of the lyrics on his most recent EPs, like True Romance, paint a picture of drugs, partying, sex, addiction and heartbreak (he's even gone on to name his recurring poetry night Adult Entertainment). Music, he reflects, has provided a powerful and cathartic means to express himself and open up. In his youth, Massiah wasn't just shaped by his church, he says, but by the Afro-Caribbean genres circulating through his neighborhood: '80s funk, raga, garage, grime and a form of Jamaican dancehall called Yardie. Later, as he was exposed to popular rock and house music, he took the sensibilities he heard in pop acts like Fleetwood Mac and applied them to a Caribbean musical framework. His sound palette is an uncanny amalgamation of Stevie Nicks' ethereal voice with the stylings of soca—a sub-genre that fuses calypso, reggae and Caribbean zouk. Listen to the episode in full.
RA.950 Ayanna Heaven
A glorious ode to sound system culture. For her RA Podcast, Brooklyn-based DJ Ayanna Heaven celebrates vibrations echoing down the ages, connecting seven decades of trailblazers and trendsetters. It's a soundtrack we've timed with an eye to that special late August run of Notting Hill Carnival, Brooklyn's West Indian Day Parade and multiple crucial dates in the Jamaican calendar. Since 2020, the Brooklyn-based DJ, ethnomusicologist, dancehall advocate and promoter has held down two shows on the city's most popular stations: the monthly "Sounds of Heaven" on The Lot and biweekly "Across 110th Street" on WKCR. That's roughly 72 hours of radio every month. Light work for Heaven, though, whose sound traverses the limitlessly fertile ground of reggae, dancehall, funk, soul and beyond. From Sly & Robbie, Aswad and Vybz Kartel through contemporary heaters and reskins of platinum-plated standards like "No Games" and "Sun Is Shining," RA.950 is a story of a thriving culture, grounded in the past yet with intentions set firmly on the future. @ayanna-heaven Read more at https://ra.co/podcast/950
EX.726 GiGi FM
"Dancing has always been visceral to me." The DJ and producer talks about bringing movement into her music practice and the role mythology and meditation plays in art and life. The Italian-French DJ, producer and dancer Giulia Fournier-Mercadante—AKA GiGi FM—has had a varied, multidisciplinary career. Originally a dancer, Fournier-Mercadante received a scholarship for the New York City Ballet and the contemporary dance outfit Alvin Ailey American Dance Theater as a teenager. Finding the dancing world difficult to navigate, especially in its approach to body image, she graduated and moved to London to focus on music. It was there that she discovered techno and its capacity to heal. She started hosting a regular show on NTS, getting booked locally and then touring around the world. Today, Fournier-Mercadante has integrated dance into her productions, which use motion sensors to transform physical movement into MIDI. Her use of her body as her basic instrument has led to a unique, kinetic sound palette that defines all of her tracks. In this Exchange, she unpacks how she's worked with this technique and rediscovered her love of dancing, as well as how spirituality, dream states and astrology inform her life and work. Listen to the episode in full.
RA.949 DJ PGZ
A roaring hour from one of the most vital talents in Naarm: First Nations producer Paul Gorrie, AKA DJ PGZ. The Gunai/Kurnai and Yorta Yorta artist is a fixture of forward-thinking dance music in Australia, with releases on labels like Butter Sessions, Pure Space and !K7, as well as numerous club and festival gigs on the circuit. An international breakout moment now feels inevitable. There's much to be said about the lack of visibility and support for Indigenous artists within the global electronic ecosystem (we'll be publishing more on this soon), but at the root of all PGZ's disparate interests are community building and the advancement of marginalised peoples. To that end, DJ PGZ's RA Podcast is notably laced with multiple cuts from Nene H's Gaza fundraising compilation. It's distinctly fresh—the oldest track you'll find is from 2022—as he gallops through Kalahari-style wigged-out prog and techno, through to harder drum syncopations. Consider this a firm tip from us: PGZ is the truth. @dj-pgz Read more at ra.co/podcast/949
EX.725 AUX 88
"If someone from Detroit wins, it's another win for Detroit." The duo discuss their longtime roots in the Motor City and how their work has evolved after more than 30 years in the game. To commemorate August 8th, we're featuring an interview with the Detroit duo AUX 88. Tommy Hamilton—AKA TOMTOM—and William “BJ” Smith—AKA POSATRONIX—are pioneers celebrating 35 years in the music industry, known for their work combining elements of ghetto tech, Kraftwerk-indebted techno and Miami bass. Their sound has remained consistent throughout the decades, and their influence on club music extends far and deep. In this Exchange, RA editor Nyshka Chadran interviews the duo live from Movement Festival in Detroit earlier this year, where they discuss their trajectory in the scene. They started out playing at local businesses, they recall—flower shops, coffee shops, cabarets and strip clubs—sometimes to no more than three people. They also unpack their creative setup and why their music has and always will be indebted to futurism and sci-fi. The duo turn their attention to the present. AUX 88 just released an EP called ALPHA WAVES and are starting a new label that will help champion local artists. In their words: "If someone from Detroit wins, it's another win for Detroit." Listen to the episode in full.
RA.948 Amor Satyr & Siu Mata
Speedy percussion meets screwface basslines: the Parisian club maestros are in session. Trying to find one word to describe the music of Amor Satyr and Siu Mata could run you into difficulty. But if we were to try, we'd reach for amphibian: slippery, nimble and evading borders with ease. With solo and shared releases on labels like SSPB, HARDLINE, TraTraTrax and their own WAJANG, they have evident kinship with what moves contemporary dance floors. The pair are also linked to the rise of an alchemical style they like to call "speed dembow"—taking the looping rhythm of dembow before pitching it up to modern club tempos and adding muscle. Combining tribal techno, baile funk, dubstep, jungle, dancehall and beyond, their RA Podcast makes for one hell of a ride, with over two hours of romping percussion, lysergic effects, high drama and plenty of wobble. @amorsatyr @siumata Read more at ra.co/podcast/948
EX.724 Max Richter
"The first time I heard a Moog, it blew my mind." The esteemed neoclassical composer talks about his long standing love of synthesisers and his forthcoming album, In A Landscape. German-born British composer Max Richter has led the vanguard for post-minimalist classical music. His work has soundtracked major film and TV, ballets, runway shows and exhibitions globally. He also gained recognition for Sleep—an eight-and-a-half-hour-long concept album written around the neuroscience of the sleeping brain—which he's performed regularly to crowds of sleeping people, including at Berlin venue Kraftwerk. While Richter has garnered widespread acclaim for his classical compositions, his original source of inspiration was electronic music. In this Exchange, recorded at his home and studio in Oxford, England, he recalled discovering Kraftwerk while watching a travel show as a teenager. He quickly began designing and building his own synthesisers after that, enamoured by the sound of the filter on the Moog, which remains one of his favourite instruments and go-to tools. Richter, who went through rigorous classical training, rejected the genre's orthodoxy, inaccessibility and view of the "composer as master." His work challenges the conventions around this school of music, appealing to a broader audience through his deconstructed compositional style, which he continues to explore in his forthcoming album, In A Landscape, out on September 6th. Listen to the episode in full.
RA.947 LYDO
What does great techno sound like in 2024? Enter LYDO. This week's RA Podcast captures @lydole in full flow, combining the old-school vernacular of European and North American techno—reduced rhythms, hi-hats and punchy 909s—with tracks from the new guard (Sev Dah, GiGi FM, D.Dan) sprinkled throughout. After moving to NYC in 2015, the Vietnamese-American sound artist and X-XTRA.SERVICES founder became one of BASEMENT's first residents; the scene built around the revered Queens club has helped nurture their adventurous sound. Lately they've been making waves beyond North America, playing with the MARICAS crew in Barcelona and locking down slots at De School, Bassiani and Draaimolen. RA.947 is the sound of artful hypnosis: it's techno with elegance, depth and just the right amount of thump. Rig this up on a proper system, turn off the lights and any worries—about the genre's direction of travel, or otherwise—might melt away. Read more at https://ra.co/podcast/947
EX.723 KMRU
"Soundscapes reveal a lot about how people think and behave." The field recordist and musician talks about listening culture, repatriating African sounds and his new album with The Bug. Today's conversation moves away from the dance floor, focusing instead on the soft, ambient soundscapes of the Berlin-based musician Joseph Kamaru—AKA KMRU—whose work has been featured at festivals like CTM, Mutek, Atonal, Horst Music and Arts, Dekmantel, and Unsound; concert halls like The Barbican; and major galleries and site-specific installations around the world. Kamaru moved to Europe from Nairobi, where he first became interested in music production, and field recordings specifically. As a graduate student in the sonic arts, he learned that the majority of the discourse around sound art practices is specific to Western Eurocentric or occidental ways of thinking. He's since embarked on a mission to use field recording as a means of repatriating African identities that are often left out of institutional archives and grapple with the legacy of colonialism. In this RA Exchange, Kamaru reflects on the sociopolitical angle of his work, and his observation that listening, by its very nature, is never neutral. He also talks about how civilisation and technology has changed our collective listening habits; how sound sources beyond the human hearing range make their way into his work with the use of electromagnetic microphones; and his new album, Disconnect, made with the musician Kevin Richard Martin (AKA The Bug). Listen to the episode in full.
RA.946 Dar Disku
Bangers from around the globe. Dar Disku launched with a question: how to channel heritage into dance floor elation? Well, when your name translates to 'home of the disco,' the brief feels pretty self-explanatory. In the first few years, that meant crafting edits of Khaliji hi-NRG and Bollywood soundtracks to fit contemporary 'crates. They took off as DJs through a run of radio and parties in the UK—where they currently reside—flexing deep finds from across the SWANA region. Their vibrant debut album, out in September on Soundway, furthers the mission. True to form, their RA Podcast is stuffed with heaters from all over the map: Algeria, India, Chile, Jordan, Australia, Turkey, Libya and Morocco get a look-in, as well as a few staple acts that betray the kind of high-wattage European festivals the duo increasingly frequent. It's not hard to see why—this mix is 90 minutes of sunshine. @dardisku @soundway-records Read more at ra.co/podcast/946
EX.722 Bicep
"We used to roll up socks in our shoes to give us an extra inch." The childhood friends talk about coming of age in Belfast and their label and event series, CHROMA. Bicep—the Irish duo Andrew Ferguson and Matthew McBriar—have been winning over the hearts of fans with trance-inflected, melancholic dance music since 2009. In this interview with RA editor Gabriel Szatan, the childhood friends talk about how they got where they are, unpacking their creative process and the abiding musical influence of their hometown, Belfast, a city where emotional trance reigned supreme. They also discuss their ongoing multidisciplinary project, CHROMA—a record label, event series and evolving live audiovisual show. Ferguson and McBriar say that the idea for CHROMA came from a sense that their DJ sets were becoming too "sugary," so they buckled down with a renewed focus on creating dynamic new productions made specifically for the dance floor and their sets. The result is a string of hard-hitting EPs which you can find online now. Listen to the episode in full.
RA.945 KYRUH
Wormhole techno from a DJ you need to know. KYRUH is a high-impact specialist forced in the crucible of modern NYC's notable spaces, including WIRE, Dweller and Bossa Nova Civic Club. Their sound is that of a DJ skilled at applying waves of pressure without requiring shortcuts through obvious terrain, adept at hammering it without defaulting to speed alone. After years burning a hole through the American underground, 2024 is proving to be a tipping point. KYRUH's appearance on Kelela remix compilation RAVE:N in early spring lit the touchpaper for a run of gritty productions and increasingly prominent slots across North America and Europe. The tracklist for their RA Podcast goes deep, accommodating contemporary producers like x3butterfly and Faster Horses alongside veterans Lady Starlight, Femanyst, House of God resident Paul Damage Bailey and underrated Swedish ripper Tobias Von Hoftsen. To those still wondering where to find 'proper techno' in 2024: look no further. @kyruhx Read more at ra.co/podcast/945
RA.944 TSVI
As a producer and DJ, TSVI is in the form of his life—which you can't always say for an artist a decade in. He's been an enduring presence through several underground cycles for a reason: the man knows how to flow. TSVI's RA Podcast features a solid number of new and forthcoming cuts from the current vanguard pushing club music forward, amongst them Verraco, Surusinghe, DJ Plead, Doctor Jeep, DJ JM, WOST and Dj Babatr—who just dropped a split 12" with TSVI on TraTraTrax last month. Alongside the names you might expect, TSVI also leans into a streak of personal history. On RA.944 you'll hear fast, deep and percussive '90s and '00s cuts from Spain, Latin America and his native Italy, with a particular focus on the kind of playful progressive trance minted by the late, great Franchino. It makes for a truly dynamite mix. @tsvisions @nervoushorizon
RA.943 Sofia Kourtesis
Pure energy from one of electronic music's brightest lights: Sofia Kourtesis. Clamour had been building around the Peruvian-born, Berlin-based artist's poignant brand of house music following a string of EPs and 12"s, culminating in last year's Madres—a passionate, vulnerable and excellent album that resonated widely. Madres packed in rare specificity for a dancefloor record, combining paeans to the power of sound with direct tributes to the neurosurgeon who saved the life of Kourtesis' mother. (Kourtesis even took him clubbing in Berlin as an additional thank you.) The album's earworm melodies, sparkling production and approachable aura made it a snap favourite, helping launch Kourtesis from bubbling to breakthrough on the global stage. In both sound and impact, it mirrors another record: Swim, the 2010 classic made by Kourtesis' friend and mentor, Dan Snaith. Speaking of @caribouband: RA.943 kicks off with a brand new Sofia Kourtesis & Daphni collaboration, before powering through summer-ready cuts from LUXE, Floating Points, IceMorph, DJ ADHD and an old Oliver Lieb classic. Even as her reputation as a recording artist swells, this power-hour mix is a sharp reminder of Kourtesis' DJing chops, teeing up a victory-lap summer ahead. @sofia-kourtesis