The weekly Resident Advisor Podcast featuring electronic music - https://ra.co
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RA Community Connections Glasgow - slyn via Subcity Radio
Subcity Radio provided the tunes for RA's Community Connections event in Glasgow end of September, taking over Stereo`s upstairs bar from 6pm till midnight. Broadcasting for 28 years, Subcity and Glasgow's electronic music scene are intrinsically linked, with the station acting as a pivotal platform for those looking to get started in the industry. Come along to hear the next wave of Glasgow DJs... https://soundcloud.com/s_l_y_n https://www.subcity.org/ https://www.stereocafebar.com/ https://ra.co/promoters/88700
RA.907 AIDA
Before moving to San Francisco, Iranian-Canadian artist AIDA got her start in one of the world's more unlikely, yet nourishing, rave scenes tucked away in the southwest corner of Canada: Vancouver. There, amongst the basement raves, forest parties and yeast-perfumed gigs on top of bakeries, she found a home amidst a small but strong scene of record-digging minimal lovers, finding power in their pure passion for music. This is where she started, though over time her sound has developed along with a lot of the minimal scene, touching on electro, breaks and progressive house. The latter is the focus of her RA Podcast, which comes amidst a year-long sabbatical from her dayjob to focus on music. It seems like the extra time is paying off: she's playing out more than ever, around the world, and playing more kinds of music, too. This mix revolves entirely around her love for the original wave of progressive house, gathered from records chosen over a period of weeks and then put together with a firm but idiosyncratic touch, as she explains below. It's as much a testament to the timelessness of this music as the cyclical nature of dance music, though it's also a bit of history lesson, a reminder of the broad world of sounds and rhythms beyond the au courant revival. When she's not DJing, AIDA also runs a record label rooted in activism around her Iranian heritage. Inspired partly by the Woman Life Freedom movement in Iran, her imprint Apranik Records focuses on artists of Iranian and Persian heritage from the country and across the diaspora, as well as raising money for charities and nonprofits. @aida-dj Read more at https://ra.co/podcast/907
RA.906 Azu Tiwaline
Back in the day, drums were used as signals for festivities and war because their sounds travelled the furthest. Azu Tiwaline has long understood that. A master in the dark arts of percussion, she makes deep and profound percussive music that seems to communicate forgotten rituals from centuries past. Her sound is dense, as if pulled from the depths of the Sahara desert in Tunisia, yet still feels spacious thanks to polyrhythmic contortions and sparse, elegant melodies. Her productions largely fall into the confines of percussive techno, but unlike the genre's springier variants, her dubby textures and psychedelic rhythms command seriousness and move with immensity. Her Livity Sound debut, the Magnetic Service EP from 2020, connected Amazigh music with dub and techno and is a masterclass in restraint and hypnosis. Her latest release, The Fifth Dream, continues to showcase her skills in balancing light and dark tones using field recordings from her home in Tunisia's El Djerid desert, minimal ambient techno and haunting notes. Mirroring her discography, this RA Podcast features plenty of twisted rhythms, trippy techno and straightforward club cuts. Created for movement rather than hypnosis, these selections show off a different side of her drum palette—perky breaks and syncopated kicks—wrapped in her usual weighty atmospheres. @azu-tiwaline Read more at https://ra.co/podcast/906
RA.905 Goldie
For our 905th RA Podcast, we're proud to welcome Goldie, one of the most famous, talented and important electronic music artists of all time. Starting out as a graffiti artist, he eventually made music under the name Rufige Kru, helping push the then-nascent genre of jungle forward with tracks like "Krisp Biscuit (Power)" and "Terminator." The latter was released under the name Metalheads, which would later become the name of his label (with a z instead of an s). Metalheadz—which he cofounded with DJ Storm and the late Kemistry—celebrates its 30th anniversary this year and remains the defining outlet of drum & bass, the genre that grew out of jungle that Goldie helped invent with records like 1995's massive crossover album Timeless (alongside countless other classics). He's a producer, DJ, actor and all-around celebrity, a huge personality in UK electronic music. Goldie is also RA's guest curator this month, and his tenure starts with this mix. We'll have more to come starting this week—check our editor's letter later today for more information—but for now, here's a survey of drum & bass past and present from a man who helped invent the genre. With plenty of new Metalheadz material plus a healthy dose of older tracks, these two hours lay out the history of Metalheadz, drum & bass and its various subgenres, from twinkling liquid to rumbling techstep. It's the first part of a month celebrating Goldie's legacy, and we can't wait to show you the rest. @goldie-official Read more at https://ra.co/podcast/905
RA.904 Diskonnected
When Smoke Machine started doing parties in Taipei, and then created a revered online mix series, it was clear that it was the work of people with impeccable taste. One of them was Diskonnected, once a resident at the beloved Taiwan club Korner who now posts up at Pawnshop and 宀 in Hong Kong. He's also behind Organik, a festival that takes place on the Northern coast of Taiwan and has become one of the world's top techno gatherings in just over a decade. Everything Diskonnected does is executed with patience and class, but don't mistake that for restraint. On his RA Podcast, we hear a snippet of an all-night set recorded at 宀 earlier this year, and it begins with some heavily broken, UK-style club music, keeping at this open-ended view of techno as it barrels on for two hours, gradually getting faster all the while. It's clichéd to say that if you know you know, but truly, anyone who knows about Diskonnected knows that he's one of the world's greatest techno DJs. He has a style and flair that feels both old-school—or maybe just late '00s—but also cutting-edge. @diskonnected Read more at https://ra.co/podcast/904
RA.903 Mike Paradinas (ft. Jlin)
For the past few years, RA cover star Jlin has been churning out complex percussion compositions that sit at the intersection of IDM, trap, mutant techno and sound art. Her tracks are tactile and structurally complex, stacked drums interlocking with glistening melodies and heaving basslines on groundbreaking albums like Dark Origami. Her rhythms gracefully crosscut over one another like towering blocks in an architecture sketch for a truly cerebral experience. Growing up in Gary, Indiana, the former steel factory worker wears many hats. She produces mind-bending club music—usually for Mike Paradinas's label Planet Mu—scores modern dance performances and arranges for instrumental ensembles. Her process of collaboration is deeply symbiotic, as shown on her new EP, Perspective The acoustic version of the record, written for and performed with Chicago's Third Coast Percussion, was nominated for a Pulitzer Prize this year, an unprecedented honour for a dance music artist. Jlin's style is sometimes described as avant-garde, but modernist is a better word. She originally started out making footwork and despite moving away from the genre in recent years, footwork's jittery energy still flows through her productions, a testament to her ability to experiment across styles. Being a math whiz only adds to the angular, carefully calculated feel of her production. In celebration of Jlin's career, Mike Paradinas serves up a 40 minute mix that shows off her range and most importantly, her passion for this music. @mikep @jlinnarlei Read more at https://ra.co/podcast/903
RA.902 Di Linh
Di Linh name-checks Ben UFO and DJ Masda as two of her favourite DJs in the interview below, which underlines the lovely duality of her style: her sets are adventurous but buttery smooth. One of Vietnam's most buzzed-about DJs—and a resident at the all-important Hanoi club Savage, as well as Equation festival—she was a punter before she was a DJ. She fell in love with the music at Savage and eventually playing her first-ever gig there, as if it were all kismet. Her sets are remarkably diverse but also remarkably consistent, with a refreshing, mid-tempo pace marked by well-placed bursts of energy. And so her RA Podcast is impeccably mixed, with the pacing and patience you'd expect from someone who has been DJing for decades. Bookends from Dust-e-1 sandwich an hour of house and techno from the likes of Kerrie, Schacke and Mac Declos. Linh finds a common thread that's all about tactile textures, catchy melodies and beautifully mixed-down drums, a sound you'll hear across the current wave of increasingly revered Southeast Asian DJs who prefer mood and storytelling over genres. Di Linh is one of the best of them. @dilinhofficial Read more at https://ra.co/podcast/902
RA.901 Clarisa Kimskii
New York party Merge is often described as a queer techno extravaganza. Over the past two years, it's built a loyal community from the ground up while integrating everything from high-energy trance to disorienting acid into its rave repertoire. Resident Clarisa Kimskii has played a defining role in the collective's growth, largely thanks to the ultra-kinetic and rhythmic pace of her DJ sets. Time and time again, the Washington DC native has demonstrated her ability to lock in dancers through captivating and hypnotic selections across various sub-styles of techno. There are tribal, witchy cuts. Jacking, Detroit-style funk. Psychedelic, DJ Nobu-style grooves and austere sounds that nod to Sandwell District. It's the kind of range that explains why Kimskii has been booked worldwide many years over, and more and more as of late. Her deep understanding of techno's myriad flavours come from two decades of industry experience as well as esoteric productions on labels like Mysteries Of The Deep and L.A.G. (her own short-lived, underrated, essential techno platform). Kimskii's long time in the techno scene, her experience and her expertise is expressed in full form on her RA Podcast Moving from industrial grit to gentle transcendence to heady acid, the mix feels free, fluid but also remarkably precise, just like Kimskii herself. @kimskii Read more at https://ra.co/podcast/901
RA.900 Bobby Beethoven (FKA Total Freedom)
Ashland Mines, AKA Total Freedom, AKA Big Gay Idiot DJ, AKA Bobby Beethoven, is one of the best and most influential DJs of the 21st century. Starting out at pioneering parties like Mustache Mondays and Wildness (which he cofounded with Wu Tsang)—and a regular at GHE20G0TH1K—Mines helped to define the style that would become known, however cringe-inducingly, as experimental club or deconstructed club, directly inspiring fellow visionaries like Arca. Like some of the best DJs before him, Mines uses the CDJs as an instrument, but that doesn't mean just fancy tricks and looping. Instead, he artfully throws together clashing sounds—effects, samples, monologues, pop and R&B acapellas, and beats that run the gamut from dancehall to kuduro to breaks and techno. He's not afraid of the grotesquerie of human life and movement (just check out the monologue at the beginning of this mix), and he likes to push buttons. Once he put on a party where dancing wasn't allowed. Some of his sets are intentionally anxiety-inducing, evoking horror movies and modern classical composers like Penderecki, while others are bouncy and ebullient, weaving between genres and tempos like an old-school platformer. The best are both. On Mines's RA Podcast—a milestone 900th in the series—he shows off this inimitable style, sharpened and reinforced over a decade-and-a-half of playing some of the world's best parties, fashion shows, you name it. He's the kind of DJ who creates his own music as he goes along. He makes you hear old tracks—especially pop music and R&B—in a whole new way. Titled "Cursed Piercing," this is a near-hour of controlled chaos that'll confound you at one moment and deeply move you the next. Read more at https://ra.co/podcast/900
RA.899 Stacey Hotwaxx Hale
Talk to any veteran artist and they'll tell you consistency is the secret to longevity. Staying relevant in a competitive industry requires unwavering dedication to the craft—a lesson that nobody knows better than the godmother of house music, Stacey Hotwaxx Hale. The gear head, educator, music nerd and Detroit legend is considered the Motor City's first woman DJ to play underground house music. Her inquisitive mind, passion for audio equipment and community spirit has led to a decades-spanning career that has inspired countless women and expanded Detroit's rich musical heritage. As a teenager, she learned to record on reel-to-reel tapes before learning the ropes from club king Ken Collier in the late '70s. Mastering the art of what she called "sneak-a-mixx"—seamlessly mixing vinyl records continuously—she beat over 600 artists to win the 1985 Motor City Mix competition. DJing remained a given in her life, even when she pursued a full-time engineering degree. She's often described in interviews how she would do math homework in between mixing tracks during gigs in her 20s. When she's not behind the decks or playing in the live ensemble Nyumba Muziki, she teaches DJing and production classes with the goal of teaching her students self-expression. Hale's sound is warm and dynamic, incorporating everything from gospel, electro, hip-hop, techno and live instruments with the goal of spreading positivity and happiness. Those feelings and cross-genre moods are all tangible on her RA Podcast. Moving gracefully between disco, funky techno, R&B and classic house, Hale's mix feels like the perfect night out, showcasing her versatility, love for vibrant rhythms and her sharp ear. @hotwaxx Read more at https://ra.co/podcast/899
RA.898 Colored Craig
People in Los Angeles usually remember the moment they first saw Colored Craig DJ. He cuts a memorable figure: throwing down records on the turntables and dancing like he's in the crowd, not behind the decks. He's one of those rare selectors who's almost as fun to watch as he is to listen. But the rest of the world should be listening. Over the past few years, Colored Craig has become one of the LA area's most in-demand DJs, not just because of his considerable skills, but because of his old-school, loved-up ethos. He plays classic house records with a verve and style that you can't really teach or learn. You just have to have it. A choreographer by trade, everything about Craig has to do with movement, the joy of it, the energy you both gain and lose through dancing. His RA Podcast, recorded in his living room (a sort of nightclub in itself) gets across the infectious, uplifting energy of his sets, blazing through tracks from Kerri Chandler, Masters At Work and Chez Damier, and even including a disco house track that samples the Price Is Right theme. You might call this sound nostalgic, but it doesn't feel that way coming from Colored Craig, who is obsessed with the now, and the power of the moment. That outlook is all over this mix, and with any luck, you'll be hearing and watching him DJ around the world outside of LA sometime soon. @coloredcraig Read more at https://ra.co/podcast/898
RA.897 IG Culture
Broken beat, or bruk, is intrinsically collaborative. Its London originators often recorded together, taking inspiration from jazz, hip-hop, deep house, drum & bass and Afrobeat. Because the genre was born of fusion, it brought together heads from all corners of the music spectrum—sound system purists to junglists to Latin Nuyorican aficionados—who each resonated with bruk's complex rhythms in their own ways. Ian Grant, AKA IG Culture, is an early pioneer of bruk, and his story underlines the style's synergetic nature. Starting out as an MC, he struck fame in the early '90s as one half of Dodge City Productions but quickly grew disillusioned with the major label business. After immersing himself in early George Duke records, Fela Kuti, Fuji music, The Headhunters and the like, he started experimenting in the studio. The jazz inspiration, plus his roots in reggae and background in hip-hop and acid jazz, led to his now-seminal, late '90s productions as New Sector Movements—widely considered as the starting point in bruk history. Since then, Grant has kept building infrastructure for the hybrid sound. Alongside Bugz in the Attic, Phil Asher, Dego of 4hero, Demus and Orin Walters, he cofounded the legendary CoOp party, which became a meeting place for diverse musical minds and enabled bruk to keep evolving. Grant remains deeply committed to co-creating, as seen by the Selectors Assemble artist collective he runs with Alex Phountzi (the two are also known as NameBrandSound), his releases with Psykhomantus as Shall I Bruk It, his Afrofuturist take on bruk as Likwid Continual Space Motion and various other projects. On his RA Podcast, the veteran artist presents a forward-thinking portrayal of bruk, adjacent styles that were directly inspired by it and other global club cuts. There are cerebral, jazzy cuts from his CoOp label, Nigerian cruise music, percussive UK garage, 2-step swing, dancehall dub and much more. This is Grant's world, where rhythmic and swung beats reign supreme. @ig-culture Read more at https://ra.co/podcast/897
RA Community Connections Copenhagen - Atikka @ Drift Radio
RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/atikka-music https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph
RA Community Connections Copenhagen - Cockwhore & Macho @ Drift Radio
RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/cockwhoreandmacho https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph
RA Community Connections Copenhagen - Lyra Valenza @ Drift Radio
RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/lyravalenza https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph