Citations Needed is a podcast about the intersection of media, PR, and power, hosted by Nima Shirazi and Adam Johnson.
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News Brief: Detailing the Connection Between Gentrification and Racist Police Harassment
One point brought up in Episode 116, highlighting the connection between real estate interests and over-policing, solicited a lot of feedback from listeners. In this News Brief, we wanted to expand upon this topic by interviewing an academic source we cited in the episode: assistant professor of sociology at the University of Colorado Denver Brenden Beck, whose work focuses on the intersection between "urban development" projects and the targeted, sustain harassment of communities of color.
Episode 116: The Pro-Gentrification Aspirationalism of HGTV's House-Flipping Shows
The popularity of HGTV house-flipping TV shows can’t be overstated: In the second week of July, HGTV was the fourth highest rated cable network, behind only Fox News, MSNBC and CNN, making it the highest rated entertainment network in the United States. Its most prominent programming: the reliable, risk free formula of home flipping shows. All of these shows—Flip or Flop and its many regional spinoffs, Good Bones, Flipping 101, to name just a few—share a basic formula: house-flippers, usually a family business in the form of a husband and wife team or parent and child with a folksy rapport, buy a neglected house on the cheap—cue zoom-ins on mold, water damage, decaying wood, dust and dead bugs—that’s often in a relatively poor or gentrifying neighborhood. They then turn it into something they describe as "beautiful", to be sold at a much higher price to, most likely, young white people looking for a "funky" home in an "up-and-coming" neighborhood. But at what cost do these glossy, get-rich-quick reality shows entertain us? What ideologies do they promote, and how do they erase the working class black and brown families whose housing was condemned, and communities were systemically neglected, before the camera’s even began rolling? On this episode—our Season 3 finale—we take a look at these shows to understand how and why HGTV became a glorified commercial for house-flipping and gentrification, examining its indifference to housing instability and its dead-eyed cheerleading of “middle-class” bourgeois aspirationalism, no matter the social cost. Our guests are culture writer Ann-Derrick Gaillot and Atlanta-based community organizer Kamau Franklin.
Episode 115: Hollywood & Anti-Muslim Racism (Part III) - How the Pentagon & CIA Sponsor American Mythmaking
For over a hundred years, the American film industry has been promoting and glorifying U.S. foreign policy, initially working with the military and Department of Defense, and eventually, the CIA as well. From its origins as a producer of wartime propaganda like 1911’s The Military Air-Scout to its contemporary role as purveyor of high-tech action epics like Iron Man, Hollywood and the American war machine reinforce each other — myth and politics intertwine. In the process, the entertainment industry has reaped handsome rewards. Producers, directors, and other top brass in the entertainment industry are lavished with military equipment for filming, personal tours of government headquarters, and inside information — or at least what government officials want filmmakers to believe is inside information — all under the guise of lending “authenticity” and “realism” to film and, to an extent, television shows as well. But what are the costs of this so-called “authenticity?” How do the U.S. military and intelligence agencies use benign-sounding partnerships like “on-set consulting” and “equipment loaning” arrangements to shape and censor narratives so they make American Empire look, at worst bumbling and good natured, and, at best, heroic and pure hearted? In Parts I and II of this three-part series on Hollywood and anti-Muslim racism, we analyzed over half a dozen films and TV shows, illustrating how state-driven narratives of U.S. nationalism and vilification of an official enemies animate Hollywood’s cultural products, namely those targeting Arabs and Iranians. On this episode, we’ll explore the intersection of U.S. military and intelligence agencies with Hollywood, taking a closer look at how the military state helps shape films and television showing that pro-U.S. messaging used to smear Muslims doesn’t happen in a vacuum, but is often subsidized by the very forces dropping bombs on them. Our guest is Professor Matthew Alford, co-author of National Security Cinema: The Shocking New Evidence of Government Control in Hollywood.
Episode 114: Anti-Muslim Racism in Hollywood (Part II) - Oscar-Bait Imperialism
More stats Citations Needed PodcastPro Unlimited 10,122 followers10.1K 142 tracks142 Our cultural context for understanding what we see on the news and hear in our politics, is often informed by the films and TV shows we’ve grown up watching. Pop culture is powerful and persuasive, and — for a century now — racist, Orientalist and cartoonish portrayals of Arabs and Muslims have littered our screens, big and small. This is the second episode in our three-part Citations Needed series on anti-Muslim racism in Hollywood. On Part I, we discussed big budget action and adventure films like Delta Force, American Sniper and True Lies, where Muslims get blown away at every turn. But not every movie and TV show is quite so overt in its vilification of the designated enemy. Since the release of these movies, the state curated narrative in film has diversified, broadening to include savvier Oscar-bait productions in which anti-Muslim racism is dressed up in elaborate plot structures and supposedly nuance "debates". Films like Argo, Syriana, and Zero Dark Thirty are lauded for their ostensible complexity, subtlety, and nuance, such as their willingness to suggest that government agencies like the CIA are bloated and bureaucratic. Instead of scenes with a tough action hero bodyslamming or mowing down teeming hordes of Muslim terrorists, these films are part of a smarter genre of jingoistic action film — the prestige thriller — featuring flawed protagonists, some meta comedy, and women CIA agents excelling in a historically male-dominated field of coups and torture. But ultimately, they project the same tired nationalism and ideology reinforcement just in a sleeker, more modern form. On this episode, we’ll examine how anti-Muslim and anti-Arab propaganda is disseminated through the contemporary prestige thriller genre. We're joined by historian, artist and author Maytha Alhassen.
News Brief: The Harper's Letter and Our Extremely Narrow, Self-Serving Definition of Cancel Culture
A bizarrely vague, cliquish letter demanding everyone be open-minded has no interest in explaining what, precisely, it wants.
Episode 113: Hollywood & Anti-Muslim Racism (Part 1) - Action and Adventure Schlock
The United States and its close allies Saudi Arabia and Israel have been bombing and occupying large sections of the so-called “Muslim world” for decades – drastically ramping up after the 9/11 attacks and seemingly with no end in sight. The U.S., like all empires, cannot operate a large, complex system premised on violence, meddling and subjugation without a moral pretext. This moral pretext, even before 9/11, was primarily about fighting a war on so-called “Terrorism” or “Islamic extremism” while allegedly promoting “stability,” “freedom” and “democracy.” Along with American news media’s constant fear-mongering over scary Muslims lurking in the shadows, a major pillar propping up this moral pretext is pop culture – namely the cultural products coming out of Hollywood. Our decades-long "War on Terror" would no doubt be much more difficult to sustain without a constant reminder from TV and film that, despite the fact that the average American is more likely to be killed by a vending machine than a terrorist attack, the threat of Islamic terrorism remains ever-present and existential, marked by an inevitable “clash of civilizations” devoid of context or any notion that the U.S. is a primary driver of violence across the globe. Over the course of three episodes, we'll be taking a look at how Hollywood’s television and studio film output helps prop up America’s military aggression in the Middle East, engages in both casual and explicit racism, strips conflicts of any historical or imperial context pushes the idea the only Good Muslim is a snitch or CIA agent, and generally leaves its audience angry and ill-informed. In this episode, we review Hollywood’s long history of anti-Muslim racism in both classic and campy action/adventure films and TV and how it both primed us for – and sustains – the never-ending and self-perpetuating "War on Terror."
Episode 112: How "Polarization" Discourse Flattens Power Dynamics and Says Nothing
"Polarization Is Dividing American Society, Not Just Politics,” laments The New York Times. “The Constitution Is Threatened by Tribalism,” frets The Atlantic. “American politics has reached peak polarization,” declares Vox. After the past few election cycles, and as uprisings occur throughout the country, we’ve seen endless concern about our alleged zenith of “polarization” and “tribalism.” The Right and the Left, we are told, have grown too radical and today lack the ability to “get things done” and “come together” with a “shared reality.” It’s a superficially appealing narrative — one nostalgic for a non-specified past time of ideal consensus building and Reasonable Centrism. But it’s also a narrative driven by a fantasy that ignores material forces that have shifted the U.S. political establishment further to the right, as the ruling political and economic class has helped sow distrust and paranoia with decades of deadly wars, runaway and rampant inequality, lethal racism and the failed promises of endless economic growth. On this episode, we explore the origins of “polarization” and “partisan tribalism” discourse, profile its biggest pushers, detail who it serves––and who it gets off the hook––and lay out why reductionist and vague “polarization” laments are so beloved by our media and political elite. Our guest is journalist and writer Osita Nwanevu.
Episode 111: How “Small Business” Rhetoric Is Used to Protect Corporate America
“Obama lauds small business owners in his State of the Union,” announced The Washington Post. “I have always said that there is nothing more optimistic – perhaps maybe getting married – than starting a small business,” Speaker Nancy Pelosi tells us. “John Kerry would raise taxes on 900,000 small businesses,” insisted a reelection ad for George W. Bush. Everywhere we turn we are centering the needs of and reminded of the glowing status of the “small business.” They are the bipartisan holiest of holies in our economy – the scrappy little guy that also props up the moral pillars of capitalism – evidence that with a little elbow grease and knowhow anyone can build a business in their image. Small businesses are one of two major vehicles for COVID-19 relief – a wholly uncontroversial good that both parties, all ideologies, everyone!, can agree are worth protecting and prioritizing. But what do pundits and politicians mean exactly when they say “small business”? How does our romantic vision of “small business” match up with reality, and how is their plight used as a messaging vanguard to strip away environmental and labor regulations, tort protections, taxes and a host of safeguards against corporate greed? The rhetoric forces the evocation of a wholesome image of a Mom-and-Pop candy store in Appleton, Wisconsin, in order to push for laws that will ultimately benefit hedge funds, Dupont and Koch Industries, and a murderers row of polluters and worker abusers. Our guests are Public Citizen's Lisa Gilbert and Street Fight Radio's Bryan Quinby.
News Brief: The Growing Pushback to Copaganda
In this News Brief we recap the recent mainstream pushback against pro-police pop culture, and discuss how this pushback is raising fundamental questions about the supposed firewall between creators and the political content they produce.
News Brief: Cops Push “Outside Agitator” Line, Exploit Real Fears of Far Right Violence to Delegitimize Protests
In this News Brief we examine the old––and new––ways police and government officials seek to undermine and divide the George Floyd protests.
News Brief: 7 Years On, US Media Still Has No Answer for #BLM Other Than Vague Handwringing
In this News Brief we catch up on the patronizing, racist media coverage of protests in Minneapolis.
News Brief: Trump, the NFL, and the Upcoming Mother of All 'Culture Wars'
Trump is likely pinning his reelection hopes on "reopening" the NFL––a grand media spectacle that will signal victory over the virus and usher in a new low in Triggering The Libs politics. A cynical corporate media and pro-Trump billionaire NFL owners are happy to go along with it. But will NFL players? Will Democratic Party leaders? What will a "safe reopening" look like and how, more broadly, should the Left and liberals counter the Right's nihilistic "reopen" narrative? On this News Brief, we are joined by The Nation's Dave Zirin to shed some light on the upcoming perfect storm of sports-infused election season PR bullshit.
Episode 110: The Shiny-Object Psychology of American Capitalist “Innovation”
“Free markets drive innovation!” It’s a narrative imparted to us ad nauseam. The ultimate catalyst of creation and progress — we’re told by policymakers, business executives, think tanks, and the media outlets that bolster them — in which great strides in healthcare, electronics, media, and other areas are the domain of private enterprise motivated by competition and profit, and unencumbered by state intervention. As the prospect of socialism — or at least the word “socialism” — regains currency in the West, these claims have resurged. Capitalism’s supporters insist that a profit-first system is the reason the world is always improving, lifting people out of poverty while equipping them with iPhones, WiFi, and central air conditioning. Socialism, they contend, hinders innovation because public ownership of the means of production removes the competition and profit that ostensibly incentivize creativity. But why are we expected to believe that concentrating ownership of the means of production in the hands of a few is the key to progress and prosperity for all? How is it that the most important metrics of “innovation” are consumer goods available to some, rather than socialized, need-based programs available to all? And above all, who does this narrative that “innovation” is driven by Anglo-American style Randian capitalism really serve? On this episode, we delve into these questions, looking at how the United States — the world’s foremost champion of capitalism — packages propaganda about its alleged innovation; the reasons capitalism not only fails to drive innovation, but also actively destroys it; and the U.S.’s brutal actions to thwart socialist efforts toward a more equitably and sustainable version of “innovation” at home and aboard. Our guest is Current Affairs associate editor Vanessa A. Bee.
Episode 109: Self-Help Culture and the Rise of Corporate Happiness Monitoring
How can one achieve happiness? It’s the eternal question. From Aristotle to Al-Ghazali, Thomas Aquinas to Arthur Schopenhauer. The answer, we’re told, is to look within. These days, we’re told repeatedly by our modern philosophers, Oprah Winfrey, Srikumar Rao, Tony Robbins, Eckhart Tolle and Deepak Chopra and other corporate happiness monitors that prosperity and fulfillment come through deep introspection and mindfulness—just pay for more inspiring books, videos, retreats, seminars, and classes! These prescriptions, while ostensibly useful in the short term for answering personal questions or alleviating stress, all fall within the genre of self-help. The trouble is, on the whole, they’re not very helpful at all. The self-help industry is predicated on the ever-American and thoroughly capitalist concepts of rugged individualism and personal responsibility, arguing that if you have a problem, it’s invariably up to you, and only you, to fix it. Meanwhile, it imparts the appearance of virtue and legitimacy with hollow, cherry-picked references to Christianity, Buddhism, Hinduism, and psychology. In recent years, there’s rightfully been a new crop of criticism leveled against the self-help industry, with books offering “anti-self-help” alternatives for improving one’s life, calling for people to relax and stop placing so much pressure on themselves. Still, many of these critiques embrace the same form of individualism as the media they decry, ignoring the reality that the best way to ‘help’ people is to ensure their material needs—like housing, food, and healthcare—are met. On this episode, we’ll chronicle the development of modern self-help culture, from its 19th-century protestant, capitalist roots to its modern ambassadors; analyze how self-help culture promotes the values of neoliberalism; examine the ways in which modern mainstream critiques of the self-help industry fall short, embracing the same reactionary principles they should be rebuking, and dissect the profound institutional incentives that compel us to prioritize solipsism over solidarity. Our guest is political economist and author William Davies.
Episode 108: How GDP Fetishism Drives Climate Crisis and Inequality
"Economists' forecasts for GDP growth in 2020 vary widely," says The Economist. "Algeria's GDP growth falls to 0.8% in 2019," one Reuters headline reads. "GDP — the broadest measure of economic activity — grew at an annual rate of just 1.9% during the third quarter," NPR warns. Everywhere we turn for economic news, the Gross Domestic Product, or GDP, is held up as the key proxy for prosperity and sound fiscal policy. Since its codification as the new gold standard for measuring prosperity at the Bretton Wood conference in 1944, the GDP has been the most popular metric used by American and British media when measure a nation’s prosperity. The GDP, and its close cousin, the Gross National Product, have not been without its critics for decades, but prying it from its top position as The Most Important Policy Goal has been an impossible task. Despite many labor activists, environmentalists and economists leveling critiques at its myopic, capitalist ideology, the metric has remained central to how the media and lawmakers determine fiscal policy. But what is the GDP exactly? How did it become the go-to proxy for prosperity in Western media? What are its ideological inputs, and how did post-war notions of colonialism and extractivism helps cement its place in our collective mindset? And what, more importantly, do activists argue we should replace it with? On this episode of Citations Needed we will explore these questions and examine how centralizing Gross Domestic Product––by its very design––obscures climate crisis, labor abuses, racism, drudgery, and a whole host of society's ills. We welcome economic anthropologist Dr. Jason Hickel back to the show.