Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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Materialism
Melvyn Bragg and guests discuss Materialism in Philosophy – the idea that matter and the interactions between matter account for all that exists and all that happens. We trace the descent of materialism from the ancient Greek philosophers Democritus and Epicurus, to its powerful and controversial flowering in the 17th, 18th and 19th centuries as an attack on religion. It’s provocative stuff even today and certainly was in 1770 when Baron D’Holbach published his book The System of Nature. He wrote: "If we go back to the beginning we shall find that ignorance and fear created the gods; that fancy, enthusiasm, or deceit adorned or disfigured them; that weakness worships them; that credulity preserves them, and that custom, respect and tyranny support them."Materialism was considered so dangerous that every copy of the Baron’s book was condemned to be burnt. Despite this, or perhaps because of it, materialism dominates much of our understanding of the world today. Associated with science and atheism, Materialism has influenced many forms of contemporary human thought from the process of history to the diagnosis of disease and boasts a cast list of devotees including Pierre Gassandi, Thomas Hobbes, the Marquis de Sade and Karl Marx. But what does materialism really mean, how has it developed over time and can we still have free will if we are living in a materialist world? With Anthony Grayling, Professor of Philosophy at Birkbeck College, University of London; Caroline Warman, Fellow of Jesus College, Oxford; Anthony O’Hear, Professor of Philosophy at the University of Buckingham
Yeats and Irish Politics
Melvyn Bragg and guests discuss the poet W.B. Yeats and Irish politics. Yeats lived through a period of great change in Ireland from the collapse of the home rule bill through to the Easter Rising of 1916 and the partitioning of the country. In May 1916, 15 men were shot by the British government. They were the leaders of the Easter Rising – a doomed attempt to overthrow British rule in Ireland - and they were commemorated by W.B. Yeats in a poem called Easter 1916. It ends with the following lines: MacDonagh and MacBrideAnd Connolly and PearseNow and in time to be,Wherever green is worn,Are changed, changed utterly:A terrible beauty is born.Yeats lived through decades of turbulence in Ireland. He saw the suspension of home rule, civil war and the division of the country, but how did the politics of the age imprint themselves on his poetry, what was the nature of Yeats’ own nationalism, and what did he mean by that most famous of phrases ‘a terrible beauty is born’?With Roy Foster, Carroll Professor of Irish History at Oxford University and Fellow of Hertford College, Oxford; Fran Brearton, Reader in English at Queen’s University, Belfast and Assistant Director of the Seamus Heaney Centre for Poetry; Warwick Gould, Director of the Institute of English Studies in the School of Advanced Study, University of London
The Norman Yoke
Melvyn Bragg and guests discuss ‘the Norman Yoke’ – the idea that the Battle of Hastings sparked years of cruel oppression for the Anglo Saxons by a Norman ruling class. ‘Norman saw on English oak,On English neck a Norman yoke;Norman spoon in English dish,And England ruled as Normans wish.’Taken from Sir Walter Scott’s novel ‘Ivanhoe’, these words encapsulate the idea of ‘the Norman Yoke’ – that the Battle of Hastings sparked the cruel oppression of Anglo-Saxon liberties by a foreign ruling class. Certainly, William the Conqueror proclaimed his power in great castles and cathedrals, turned the church upside down and even changed the colour of scribal ink. But was it really such a terrible time for the Anglo Saxons or was the idea of beastly Norman oppressors and noble Saxon sufferers invented later to shore up the idea of Englishness? With Sarah Foot, Regius Professor of Ecclesiastical History at Christ Church, Oxford; Richard Gameson, Professor in the Department of History at Durham University; Matthew Strickland, Professor of Medieval History at the University of Glasgow.
The Laws of Motion
Melvyn Bragg and guests discuss Newton’s Laws of Motion. In 1687 Isaac Newton attempted to explain the movements of everything in the universe, from a pea rolling on a plate to the position of the planets. It was a brilliant, vaultingly ambitious and fiendishly complex task; it took him three sentences. These are the three laws of motion with which Newton founded the discipline of classical mechanics and conjoined a series of concepts - inertia, acceleration, force, momentum and mass - by which we still describe the movement of things today. Newton’s laws have been refined over the years – most famously by Einstein - but they were still good enough, 282 years after they were published, to put Neil Armstrong on the Moon. With Simon Schaffer, Professor in History and Philosophy of Science at the University of Cambridge and Fellow of Darwin College; Raymond Flood, University Lecturer in Computing Studies and Mathematics and Senior Tutor at Kellogg College, University of Oxford; Rob Iliffe, Professor of Intellectual History and History of Science at the University of Sussex.
The Dissolution of the Monasteries
Melvyn Bragg and guests discuss Henry VIII and the Dissolution of the Monasteries. Was Henry’s decision to destroy monastic culture in this country a tyrannical act of grand larceny or the pious destruction of a corrupt institution? When he was an old man, Michael Sherbrook remembered the momentous events of his youth: “All things of price were either spoiled, plucked away or defaced to the uttermost…it seemed that every person bent himself to filch and spoil what he could. Nothing was spared but the ox-houses and swincotes…” He was talking about the destruction of Roche Abbey, but it could have been Lewes or Fountains, Glastonbury, Tintern or Walsingham, names that haunt the religious past as their ruins haunt the landscape. These were the monasteries, suddenly and for many shockingly, destroyed during the reign of Henry VIII.The conflict was played out with a mix of violence, heroism, political manoeuvring and genuine theological disputation. But what was lost in terms of architecture, painting, treasure and in the religious habits of the monasteries themselves and of the common people who lived with them?With Diarmaid MacCulloch, Professor of the History of the Church at Oxford University; Diane Purkiss, Fellow and Tutor at Keble College, Oxford; George Bernard, Professor of Early Modern History at the University of Southampton
Kierkegaard
Melvyn Bragg and guests discuss the rich and radical ideas of Soren Kierkegaard, often called the father of Existentialism.In 1840 a young Danish girl called Regine Olsen got engaged to her sweetheart – a modish and clever young man called Søren Kierkegaard. The two were deeply in love but soon the husband to be began to have doubts. He worried that he couldn’t make Regine happy and stay true to himself and his dreams of philosophy. It was a terrible dilemma, but Kierkegaard broke off the engagement – a decision from which neither he nor his fiancée fully recovered. This unhappy episode has become emblematic of the life and thought of Søren Kierkegaard - a philosopher who confronted the painful choices in life and who understood the darker modes of human existence. Yet Kierkegaard is much more than the gloomy Dane of reputation. A thinker of wit and elegance, his ability to live with paradox and his desire to think about individuals as free have given him great purchase in the modern world and he is known as the father of Existentialism.With Jonathan Rée, Visiting Professor at Roehampton University and the Royal College of Art; Clare Carlisle, Lecturer in Philosophy at the University of Liverpool; John Lippitt, Professor of Ethics and Philosophy of Religion at the University of Hertfordshire.
The Greek Myths
Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge University
Ada Lovelace
Melvyn Bragg and guests discuss the 19th century mathematician Ada Lovelace. Deep in the heart of the Pentagon is a network of computers. They control the US military, the most powerful army on the planet, but they are controlled by a programming language called Ada. It’s named after Ada Lovelace, the allegedly hard drinking 19th century mathematician and daughter of Lord Byron. In her work with Charles Babbage on a steam driven calculating machine called the Difference Engine, Ada understood, perhaps before anyone else, what a computer might truly be. As such the Difference Engine is the spiritual ancestor of the modern computer.Ada Lovelace has been called many things - the first computer programmer and a prophet of the computer age – but most poetically perhaps by Babbage himself as an ‘enchantress of numbers’.With Patricia Fara, Senior Tutor at Clare College, Cambridge; Doron Swade, Visiting Professor in the History of Computing at Portsmouth University; John Fuegi, Visiting Professor in Biography at Kingston University.
Lear
Melvyn Bragg and guests discuss King Lear. Around the turn of 1606, a group of London theatre-goers braved the plague to take in a new play by the well-known impresario, Mr William Shakespeare. Packed into the Globe Theatre, they were treated to a tale of violence, hatred and betrayal so upsetting that it thereafter languished among Shakespeare’s less popular plays.The story of Lear – of a man who divides up his property and loses the love of a daughter - is an ancient and ultimately happy one. But in the hands of William Shakespeare it became a shocking and violent vision of a broken family in a godless universe. So shocking that after the playwright’s death it was shunned and rewritten with a happy ending. Only in the 19th and 20th centuries did Shakespeare’s bleak, experimental and disorientating drama attain the status it has now. But why did Shakespeare take a story from the deep history of Britain and make it so shockingly his own and when, from the Civil War to the Second World War, did this powerful and confusing tragedy emerge as Shakespeare’s greatest? With Jonathan Bate, Professor of English Literature at the University of Warwick; Katherine Duncan-Jones, Tutorial Fellow in English at Somerville College, Oxford; Catherine Belsey, Research Professor in English at the University of Wales, Swansea
The Multiverse
Melvyn Bragg and guests will be leaving the studio, the planet and indeed, the universe to take a tour of the Multiverse. If you look up the word ‘universe’ in the Oxford English Dictionary you will find the following definition: “The whole of created or existing things regarded collectively; all things (including the earth, the heavens, and all the phenomena of space) considered as constituting a systematic whole.” That sounds fairly comprehensive as a description of everything, but for an increasing number of physicists and cosmologists the universe is not enough. They talk of a multiverse – literally many universes – to explain aspects of their theory, the character of the universe and the riddle of our existence within it. Indeed, compared to the scope and complexity of the multiverse, the whole of our known reality may be as a speck of sand upon a beach.The idea of a multiverse is still controversial, some argue that it isn’t even science, because it is based on an idea that we may never be able to prove or even see. But what might a multiverse be like, why are physicists and cosmologists increasingly interested in it and is it really scientific to discuss the existence of universes we may never know anything With Martin Rees, President of the Royal Society and Professor of Cosmology and Astrophysics at the University of Cambridge; Fay Dowker, Reader in Theoretical Physics at Imperial College; Bernard Carr, Professor of Mathematics and Astronomy at Queen Mary, University of London
The Statue of Liberty
Melvyn Bragg and guests discuss the Statue of Liberty."Give me your tired, your poor, your huddled masses yearning to breathe free”. With these words, inscribed inside her pedestal, the Statue of Liberty has welcomed immigrants to America since 1903. But the Statue of Liberty is herself an immigrant, born in Paris she was shipped across the Atlantic in 214 separate crates, a present to the Americans from the French. She is a token of friendship forged in the fire of twin revolutions, finessed by thinkers like Alexis de Tocqueville and expressed in the shared language of liberty. But why was this colossal statue built, who built it and what did liberty mean to the Frenchmen who created her and the Americans who received her?With Robert Gildea, Professor of Modern History at Oxford University; Kathleen Burk, Professor of Modern Contemporary History at University College London; John Keane, Professor of Politics at the University of Westminster
The Social Contract
Melvyn Bragg and guests discuss the Social Contract and ask a foundational question of political philosophy – by what authority does a government govern? “Man was born free and he is everywhere in chains”. So begins Jean Jacques Rousseau’s great work on the Social Contract. Rousseau was trying to understand why a man would give up his natural freedoms and bind himself to the rule of a prince or a government. But the idea of the social contract - that political authority is held through a contract with those to be ruled - began before Rousseau with the work of John Locke, Hugo Grotius and even Plato. We explore how an idea that burgeoned among the 17th century upheavals of the English civil war and then withered in the face of modern capitalist society still influences our attitude to government today. With Melissa Lane, Senior University Lecturer in History at Cambridge University; Susan James, Professor of Philosophy at Birkbeck College, University of London; Karen O’Brien, Professor of English Literature at the University of Warwick.
Rudolph II
Melvyn Bragg and guests discuss the coterie of brilliant thinkers gathered in 16th century Prague by the melancholic emperor Rudolph II. In 1606 the Archdukes of Vienna declared: “His majesty is interested only in wizards, alchemists, Kabbalists and the like, sparing no expense to find all kinds of treasures, learn secrets and use scandalous ways of harming his enemies…He also has a whole library of magic books. He strives all the time to eliminate God completely so that he may in future serve a different master.”The subject of this coruscating attack was the Holy Roman Emperor, Rudolf II, and his court at Prague. Rudolph had turned Prague into a collector’s cabinet for the wonders and curiosities of the age – the great paintings of Northern Italy were carried to him over the Alps, intricate automatons constructed to serve drinks, maps and models of the heavens were unwound and engineered as the magnificent city of Prague itself was rebuilt in the image of its dark and thoughtful patron in chief. But Rudolf’s greatest possessions were people - the astronomers Johannes Kepler and Tycho Brahe, the magus John Dee and the philosopher Giordano Bruno had all found their way to his city. Far from the devilish inquisitor of the archdukes’ imaginations, Rudolf patronised a powerhouse of Renaissance ideas. With Peter Forshaw, Postdoctoral Fellow at Birkbeck, University of London and an Honorary Fellow of the University of Exeter; Howard Hotson, Lecturer in Modern History at the University of Oxford; Adam Mosley, Lecturer in the Department of History at the University of Wales, Swansea.
Plate Tectonics
Melvyn Bragg and guests discuss how the science of plate tectonics revolutionised our understanding of the planet on which we live. America is getting further away from Europe. This is not a political statement but a geological fact. Just as the Pacific is getting smaller, the Red Sea bigger, the Himalayas are still going up and one day the Horn of Africa will be a large island. This is the theory of plate tectonics, a revolutionary idea in 20th century geology that claimed the continents of Earth were dancing to the music of deep time. A dance of incredible slowness, yet powerful enough to throw up the mountains and pour away the oceans.Plate tectonics, the idea that the earth’s surface moved on a carpet of molten magma, constituted a genuine scientific revolution in geology. It explained why mountains appeared and why earth quakes occurred; it explained the curious distribution of fossils across the globe and finally solved the age old conundrum of why continents such as Africa and South America appeared to fit together like a giant jigsaw puzzle. Plate tectonics has made geologists, and many more besides, profoundly re-think what the Earth was, how it worked and how it related to all the things in it. With Richard Corfield, Visiting Senior Lecturer in Earth Sciences at the Open University; Joe Cann, Senior Fellow in the School of Earth and Environment at the University of Leeds; Lynne Frostick, Director of the Hull Environment Research Institute and Professor of Physical Geography at the University of Hull
The Fisher King
Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University; Juliette Wood, Associate Lecturer in the Department of Welsh, Cardiff University and Director of the Folklore Society